Reggae.be
Lollypop Lorry - Lollypop Lorry Goes Dub (Self-published)
ReviewsOct 07, 2020

Lollypop Lorry - Lollypop Lorry Goes Dub (Self-published)

By Jah Rebel

For 'Lollypop Lorry Goes Dub', the successor to 2018's 'Ural Station', the Russians of Lollypop Lorry started experimenting with jazz and dub.

Most of the members of Lollypop Lorry have a jazz background and they quickly discovered the ostinato (a basso ostinato - Italian for "stubborn" or "obstinate" - is a bass motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch) of the double bass rhythms, which form the backbone of many jazz styles, have many similarities with Jamaican riddims. The result is an absolute gem of an album on which jazz classics of greats like Miles Davis (opener 'Blue Dub'), Dizzy Gillespie ('Dizzy Dub'), John Coltrane ('Dub "7" Train' and 'Mr. Dub'), Henry Mancini ('Slow Hot Dub', the dub version of 'Lujon', which already appeared on Lollypop Lorry's 'Ural Station'), Thelonious Monk ('Round Midnight Dub'), Dexter Gordon ('Tanya Dub') and Kenny Garrett ('Charlie Brown Goes To Jamaica'), all received a delicious dub reworking. The odd one out in the tracklist is 'Take Faya', an excellent dub version of Aswad's 'Love Fire' (also known as the Promised Land riddim), seamlessly changing into the Dave Brubeck Quartet's jazz classic 'Take Five'. Belgian jazz-dubbers Cosmosound definitely have some competition in Mother Russia!

Listen

Lollypop Lorry - Lollypop Lorry Goes Dub (Self-published)

About the Author

Jah Rebel
More

Together with Jah Shakespear, one of the founders of Reggae.be, he first started as a critic and a reporter before in the end of 2014 becoming editor in chief. Divides his time between his two passions: music and Haile Selassie.

Genres

DubReggaeJazz

Published

Oct 07, 2020